475 Park Avenue South, 6th Floor, New York, NY, 10016
Monday - Friday
11:00am - 5:00pm
"The coolest film organization in the world." —John Waters
Est. 1961.
Bullets for Breakfast is one of the most magnificently obsessive films in recent memory. A precisely made flood of images, text, and My Darling Clementine
cuts a swath across easy comprehension. Fisher constructs the film along the twin axes of visual sophistication and handmade aesthetics – it’s both beautifully meticulous and gorgeously frayed.
–CAMERON BAILEY
FILMS
BULLETS FOR BREAKFAST (1992, 16mm, color, 77ʹ)
FROM THE LADIES (1977, 16mm, color, 20')
GLASS SHADOWS (1976, 16mm, color, 13')
THIS IS MONTAGE (1978, 16mm, color, silent, 7')
SOFTSHOE (1987, 16mm, color, 20')
DVD9 • PAL INTERZONE •color •4:3 •French subtitles •137 mins -Contains a 28-page booklet
Author(s) | Holly Fisher |
Format | DVD9 • PAL INTERZONE •color •4:3 |
Original format | 16mm, Super 8 |
Year | 1977-1992 |
Language(s) | English |
Subtitles | French |
Runtime | 137 min |
Publisher | RE:VOIR |
The Film-Makers’ Cooperative (a.k.a. New American Cinema Group) is the largest archive and distributor of independent and avant-garde films in the world. Established in 1961 by a group of 22 path-breaking moving image artists (including Andy Warhol, Jonas Mekas, Shirley Clarke, and Stan Brakhage), the Coop has more than 5,000 films, videotapes, and DVDs in its collection.
475 Park Avenue South, 6th Floor, New York, NY, 10016
Monday - Friday
11:00am - 5:00pm